Original article publiced here : Texas Cryptid Hunter
Were are the pictures?
This is a common question asked of bigfoot researchers and those who claim to have caught a glimpse of these elusive animals. It is often pointed out that there are thousands of trail cameras out in the woods and, surely, if bigfoot were real, one of them would have captured an image by now. In addition, every phone is now a camera so, basically, there is no one in the woods without the means to capture a photo or shoot video if they are fortunate enough to encounter a sasquatch. This, it is said, has not happened; therefore, bigfoot must not be real.
The questioning of the dearth of photographic evidence is a legitimate one. I understand it. I could take some time here to refute some of the more common assumptions about game cameras and how wildlife reacts to their presence as well as the phone/camera argument but will save that for another time. What I would like to refute is the notion that there is no convincing photographic/video evidence that supports the hypothesis that the sasquatch is a real animal.
I believe there is compelling photographic/video evidence to support the position these animals do exist. Admittedly, there are only a few examples that I believe are likely legitimate. What makes me believe these photos/videos might just be the real deal? Simply, the subjects featured in them share physical characteristics and mannerisms that are far more subtle than what we see in the typical “guy in an ape suit” hoax video on YouTube. The subjects match descriptions given by witnesses for decades but also are very similar to one another. The way they move, head position, reaction to being seen, physical stature and build all are very similar. The subjects in these photos/videos look convincing but also look like they could be brothers (or sisters). The four pieces of evidence that are most convincing to me are the Patterson-Gimlin footage, the Harlan Ford Honey Island Swamp footage, the Freeman footage and two photographs taken in central Oklahoma in 2000.
Anyone with even a passing interest in the sasquatch phenomenon is familiar with the Patterson-Gimlin footage. Shot in October of 1967, the footage shows a large, upright, hair-covered figure walking across a debris-strewn sandbar along Bluff Creek in northern California. The backstory of this footage is well known and I will not spend a lot of time rehashing things that have been stated by others hundreds of times. Instead, I will just point out a few things present in this footage that I have also noticed in the photos/videos I will mention shortly. The creature is clearly large. I am not really talking about the height of the figure (this is one of those details that has been debated ad nauseum); rather, it is the sheer thickness of the creature that impresses me. The creature in the footage is clearly female and many who have attempted to analyze its physical characteristics have become infatuated by the large breasts that are clearly visible (Freud would have a field day with that, I am sure), however, I tend to focus more on the depth of the chest and torso in general. The figure is amazingly robust with very little, if any, taper from the chest to the waist. This thickness and lack of tapering is something that all of the images in this post have in common.
Another characteristic of the Patterson-Gimlin subject that seems to be present in the other photos/videos is the position of the head while walking. The most famous image of the subject is, of course, the infamous frame 352. This is the moment when the creature turns its upper body to face Patterson. The image captures the long swinging arms and odd bent knee gait of the creature perfectly. I am less interested in this image, however, than I am in the rest of the footage where the creature is walking away and not looking back at its pursuers. The head of the subject seems to be looking down at a spot just in front of its feet. It is almost as if it is watching where it will be placing its next step. This downward tilt of the head is something I have noticed in the other photos/videos I find compelling.
The final characteristic that these pieces of evidence share is the way the alleged apes move away once they have been seen by the photographers/witnesses. There seems to be no panic at all, they just stride off into the forest. I will admit this is the one characteristic that I leave some space on as I know that these creatures will, at times, bolt at an incredible rate of speed when they realize they have been seen by humans. People I know and respect have seen these animals do just that and have marveled at how fast they can traverse steep and heavily wooded terrain. My experience, though, is more like what is observed in the Patterson-Gimlin footage and the other photos/videos to be disussed. A friend and I came up on what I believe was a sasquatch while driving on a forest service road in the Sam Houston National Forest in May of 2005. My friend brought the vehicle to a stop and the subject simply turned and walked off the road and into the woods. It moved quickly but calmly in a manner that in no way could be described as running. I believe I was very close to one of these animals again later that summer. My brother and I were hiking the same general area where my visual had taken place about three months earlier when something of interest occurred. We had stopped to rest and were just visiting when I caught a glimpse of movement over his shoulder. I raised my 35mm film camera and took a photo. Whatever I had seen did not run and crash away through the brush. It made hardly a sound at all as it just sort of melted into the forest. The resulting photo is as close to compelling photographic evidence as I have personally captured. I admit the fact that I have directly observed this calm but quick moving away behavior has affected the prism through which I view any photographic/video evidence. Still, it is something these pieces of evidence all have in common and when seen in conjunction with the other factors previously mentioned gives me pause.